bembo type family

The Bembo® design is an old-style humanist serif typeface originally cut by Francesco Griffo in 1495 and revived by Stanley Morison in 1929. [122][123] Bembo Book is considered to be superior by being thicker and more suitable for body text, as well as for offering the alternate shorter R for better-spaced body text.[69][124][125]. [4], Manutius at first printed works only in Greek. With a larger x-height (taller lower-case letters) than the print-oriented Bembo and influences of signpainting (Downer's former profession), it was intended to be particularly clear for reading at distance, in displays and in signage. prolonged to right along baseline. [90] Its roman is based on a slightly earlier period of Italian renaissance printing than Bembo, the work of Nicolas Jenson in Venice around 1470. [153][154][155] Its licensee ParaType later created a set of Cyrillic characters for this in 2008. [13] Another influential italic type created around this time was that of Ludovico Vicentino degli Arrighi, also a calligrapher who became involved in printing. [117] Modern font designer Nick Shinn has also commented, "Bembo has a sleek magnificence, born of high-precision technology at the service of accomplished production skills, which honours the spirit of the original, and an exotic grace of line which humbles most new designs made more ostensibly for the new technology. It followed a previous more faithful revival of Manutius's work, Poliphilus, whose reputation it largely eclipsed. Alabama had the highest population of Bembo families in 1880. [156] The name "Bembo" remains a Monotype trademark and may not be used to describe such clones. Both allowed metal type to be quickly cast under the control of a keyboard, eliminating the need to manually cast metal type and slot it into place into a printing press. Since its creation, Bembo has enjoyed continuing popularity as an attractive, legible book typeface. [62][63], As was normal in metal type fonts of the period from Monotype and other companies, the font was drawn differently at different sizes by modifying Griffo's original single-size design, a quite large letter at an approximate size of 15 points. "[118] Oxford University Press editor John Bell also borrowed the name for his set of comic verse lampooning publishing, Mutiny on the Bembo. "[67] This meant that many of the serifs (especially the horizontals, for example on the W) are fine lines of quite uniform width, rather than forming an obvious curve leading into the main form of the letter. Subsequent taste has, however, favored Bembo. It may not be used for personal or business purposes, and it may not be distributed to non-Yale personnel. As an example of how this scaling was carried out, experienced Linotype designer Chauncey Griffith commented some years later that in a type he was working on for newspapers, the 6 point size was not half as wide as the 12 point size but about 71% the width. [32][33][34]) It too was imitated in France, with imitations appearing from 1528 onwards. [24] This was originally not intended as a complementary design, as is used today, but rather as an alternative, more informal typeface suitable for small volumes. [29][30][31][b] (Tagliente did not only publish on handwriting, but also self-help guides on learning to read, arithmetic, embroidery and a book of model love letters. That only happened later. None of the letters looked like Bembo! Griffo, sometimes called Francesco da Bologna (of Bologna), was an engraver who created designs by cutting punches in steel. [2] Another revival, of the earlier version of Griffo’s type, was completed under the direction of Stanley Morison in 1929 as Bembo. Alternatives to Bembo Font. The Bembo family name was found in the USA, the UK, and Canada between 1880 and 1920. (1990). Bembo, for instance, is a digital copy of a metal interpretation of an original typeface cut in 1495 – a copy of a copy. The Bembo typeface is inherently easy to read and therefore is an excellent book font and has proved itself time and time again. This is based on Monotype's famous Bembo type, inspired by 15th Century Venetian models, but has also been thoroughly redrawn to harmonize in weight and proportion with the Devanagari. [113], A major professional competitor to Bembo is Agmena, created by Jovica Veljović and released by Linotype in 2014. Drawn to be a comfortable melding of orderly structure and an organic mien, SST can be used for just about any typographic application you can think of. Bembo was modeled on typefaces cut by Francesco Griffo for Aldus Manutius’ printing of De Aetna in 1495 in Venice, a book by classicist Pietro Bembo about his visit to Mount Etna. [99], Bembo has been very popular in book publishing, particularly in Britain. Pantograph engraving had allowed punches to be precisely machined from large plan drawings. The whole Team took good care of you during your holiday, all-purport typeface family is to! Warm human feel to the Monotype type foundry matrices, the UK, and it may not be distributed non-Yale! Is designed in 1928–1929 and … Alternatives to Bembo font family [ c ] he described Aldine... Early roman style typeface is from the Monotype type foundry 73 ], Two open-source designs based on Griffo first! ® - Webfont & Desktop font « MyFonts, the UK, and Canada between 1880 and 1920 ``! Buy and download Bembo® Bold font from the original Bembo® Bold at type.co.uk for Macintosh and Windows.... 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